!! The only ones that we have cinematographic equipment & local crew available in Ibiza all year !!
CREW, STUDIO & CINEMATOGRAPHIC ACCESORIES
— Save on travel, transportation, hotels, and crew
our equipments & crew are always available in Ibiza --
PERSONAL TÉCNICO – DRONE – GIMBAL – GRÚA – TRANSPORTE – SERVICIOS DE PRODUCCIÓN – ILUMINACIÓN
EQUIPOS
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Cámaras
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Lentes
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Accesorios
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Packs básicos
EL ESTUDIO
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El Espacio
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Servicios
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Complementos
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Packs y tarifas
SERVICIOS
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Personal técnico
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Asesoramiento
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Producción
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Entregas y recogidas
CREW TUPRA TEAM
TUPRA TEAM
In Tupra Studio we do not only offer a standard equipment rental service, we offer the complete package, with the best local technical staff for your productions, transport and logistics, so that when you want to shoot in Ibiza, you can forget about technical problems and focus 100% on the creative part.
We have camera operators, focus pullers, camera assistants, gaffers, electricians, drone pilots, runners, photographers, etc.
When you hire our Tupra Team, it's all advantages, we take the revised equipment to the location, with personnel who know their job and how to do it to save time, we do the work and then we take it all in our vans.
You don't have to worry about logistics!
Come to Ibiza in comfort and trust us for everything else.
TUPRA NEWS!!
ARRI Hi-5
The new ARRI Hi‑5 is the most sophisticated hand unit on the market, providing reliable wireless camera and multi-axis lens control.
Weatherproof and solidly built, it features an exceptional radio link range and unique, swappable radio modules for different territories and shooting challenges.
+ Cforce mini RF is an intelligent lens motor with integrated white-coded ARRI radio module, eliminating the need for an additional receiver unit mounted on the camera. The cforce mini RF can pair with up to three hand units for split focus, iris and zoom operation and provides full lens data when used with the Hi-5 hand unit.
CANON FD TLS
Se trata de un juego completo de ópticas de la década de 1970, con rehousing de TLS, con las mismas carcasas que las que utilizan para el housing de las Canon K35.
This is a complete set of lenses from the 1970s, with TLS rehousing, with the same housings as those used for the Canon K35 housing.
COOKE SPEED PANCHRO TLS
Cooke Speed Panchro lenses rehoused by TLS (True Lens Service in the UK) are recognized throughout the industry as being the very best rehoused Cooke Speed Panchro lenses available.
CANON K35 TLS
Canon K35 lenses are quite possibly the best-kept secret in 35mm motion picture prime lenses. Not to be confused with Canon stills lenses, these were specifically made for cinema and were awarded an Academy Award in 1977.
Canon K35s were the lenses used on Aliens as well as many other famous features films over the years.
They find just as much use today, with even Aardman’s animated Chicken Run shot almost completely on K35s.
Carl Zeiss Compact Prime (CP2)
Nuevas opticas Carl Zeiss Compact Prime (CP2) disponibles permanetemente en nuestro stocken Ibiza todo el año.
Focales: 15mm, 25mm, 35mm, 50mm, 85mm (las 3 ultimas Super Speed T1,5, resto T2.9), montura PL
TOKINA CINEMA ATX 11-20MM
TOKINA CINEMA ATX 11-20MM T2.9 WIDEANGLE ZOOM LENS PL mount
The new 11-20mm features a cinema style focus throw with 0.8 Mod cinema gears on the focus, zoom and iris rings. Made with an industry standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread, it is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required.
VAZEN Anamorfico 1.8X montura RF set.
The 1.8x squeeze produces a cinematic 2.39:1 aspect ratio. works very well with the 6k 4:3 1.8x anamorphic mode in Red Komodo. Mild vignetting will be visible in 6k mode at T16 on 28mm. The lens features a fast t/2.2-t2 aperture and 2.7” minimum focus distance, the focus breathing is also minimal. 28mm RF is amber horizontal flare!
VZ (Vazen) 40mm t/2 Anamorphic Prime is the world’s first 1.8X anamorphic for Canon RF mount cameras. Characterized by its front anamorphic design, the VZ Anamorphic prime delivers a butterly smooth oval bokeh, signature blue horizontal flare and the widescreen cinematic look.
Despite the rugged design, the VZ anamorphic prime is relatively compact and lightweight. It was designed with the finest mechanical functionality to allow cinematographers to film with ease. The 95mm front diameter allows usage with standard matte box and the independent aperture and focus rings are built with 0.8mod cine gears. The focus throw is 300°.
TIPS & TRICKS
RED IMAGE PROCESSING PIPELINE [IPP2] OVERVIEW
RED's new image processing pipeline unlocks the full potential of every pixel. IPP2 offers a completely overhauled workflow experience and encompasses all of the steps in the image capture process, from raw sensor data to final image output. This RED TECH gives an overview of the workflow philosophy for IPP2 and all of the visual enhancement options that come with it.
¿POR QUÉ RODAR EN REDCODE RAW?
Learn about the three R's- Resolution, RAW and REDCODE®. Get a look at the benefits of shooting in high resolution. Understand the advantages of shooting RAW with RED® and the ability to manipulate R3D® metadata however you please. REDCODE visually lossless compression allows you to shoot hours of high resolution RAW files onto a RED MINI-MAG®.
CONOCE LAS CÁMARAS RED.
There are five essential components to get your camera up and running: BRAIN®, Lens, Power, Media, and Monitoring. The RED® system is modular, giving you the flexibly to build a perfect setup for your needs (Drone, Feature, Doc, Commercial, Music Video, Underwater, etc).
RED IMAGE PROCESSING PIPELINE [IPP2] OVERVIEW
RED's new image processing pipeline unlocks the full potential of every pixel. IPP2 offers a completely overhauled workflow experience and encompasses all of the steps in the image capture process, from raw sensor data to final image output. This RED TECH gives an overview of the workflow philosophy for IPP2 and all of the visual enhancement options that come with it.
¿POR QUÉ RODAR EN REDCODE RAW?
Learn about the three R's- Resolution, RAW and REDCODE®. Get a look at the benefits of shooting in high resolution. Understand the advantages of shooting RAW with RED® and the ability to manipulate R3D® metadata however you please. REDCODE visually lossless compression allows you to shoot hours of high resolution RAW files onto a RED MINI-MAG®.
CONOCE LAS CÁMARAS RED.
There are five essential components to get your camera up and running: BRAIN®, Lens, Power, Media, and Monitoring. The RED® system is modular, giving you the flexibly to build a perfect setup for your needs (Drone, Feature, Doc, Commercial, Music Video, Underwater, etc).
